01 / national arts festival 2011:

The National Arts Festival, now in its 37th year, has proved its sustainability and has grown to be one of the leading arts festivals in southern Africa. Its objectives are to deliver excellence; encourage innovation and development in the arts by providing a platform for both established and emerging South African artists; create opportunities for collaboration with international artists; and build new audiences

01 / main programme: 30 June - 10 July in Grahamstown

Standard Bank Young Artist for Dance Mamela Nyamza with Isingqala and amaFongkong. This double-bill features a solo work by Nyamza and a collaborative production with the Adugna Dance Theatre Company from Ethiopia. In creating Amafongkong, Mamela says that her intention was to hold an open space to explore the notion of ‘collaboration’ in all its complexities, to see how and where similar and different bodies could meet in movement. The project collaboration between Nyamza and the Ethiopian-based Adugna Dance Theatre is supported by Art Moves Africa.

The South African premiere of Desert Crossings is a journey of discovery, building bridges between two continents, tracing shared memories and the earth’s history, revealing universal hopes. This cross-cultural performance is a collaboration between UK based producers State of Emergency and South African choreographer Gregory Maqoma of Vuyani Dance Theatre, performed by a company of five dancers from different cultural backgrounds, with an original score by Steve Marshall. Made possible through support from Arts Council England and Jurassic Coast, Dorset and East Devon.

Swan Lake

Swan Lake

Batsumi is the lyrical new work integrating songs, dance, acting and live music by Thabo Rapoo celebrating the hopes, joys and struggles in the stories of hunter-gatherers. Batsumi is presented at the National Arts Festival by Moving Into Dance Mophatong.

The Baxter Theatre will present the Remix Dance Company’s Lovaffair as a celebration of bodies and love, turning perceptions of gender and disability on its head. Adhering to the demands of contemporary dance, the performance expresses the energy and emotion of the individual. The company was founded in 2000 with the aim of bringing together more differently-abled performers onto South African stages, and to develop integrated dance locally.

The Cape Town City Ballet brings Swan Lake to the Festival. This version of the timeless classic embodying mystery and romance portrayed in sublime and ethereal movement and choreographed on Tchaikovsky’s score inspires the dancers in their portrayal of this tale of love’s triumph over evil. This version of Swan Lake is based on that of Vladimir Bourmeister and was first taught to the CAPAB Ballet Company, now the CAPE TOWN CITY BALLET, by Frenchman, Attilio Labis, in 1971.

01 / on the main THEATRE DRAMA menu:

Standard Bank Young Artists Ward winner for Drama, Neil Coppen, with his latest play Abnormal Loads. It is set in a fictional battle-field town known as Bashford, nestled in the once war ravaged valleys of Northern KwaZulu-Natal. With a narrative that whisks audiences through two centuries of South African history, Abnormal loads presents a theatrical universe where the past runs in tandem with the present and events shift seamlessly from the grandeur of a battle-field in 1879 to the intimacy of the bedroom in 2011. Movement, sound, music, multi-media and shadows combine to create breathtakingly original theatrical experience.

The Table is created by Sylvaine Strike and presented by the Fortune Cookie Theatre Company in association with the Market Theatre and the Aardklop Festival. In this production, Strike collaborates with an electrifying cast and the highly acclaimed writer/dramaturge Craig Higginson to bring an enticing slice of a family dinner for audiences. Four children re-unite with their mother over a Friday night meal where a world of love, sibling rivalry, confused genetics, domesticity, tradition and of course, food, is unveiled. Funny and deeply moving, this is a journey into the very heart of a family redefined by the South African existence.


Created by Rob Murray and presented by FTK:K and Conspiracy of Clowns, Benchmarks is a small story of great hope and rebirth. In the Mother City, three desperate and lonely individuals - a middle aged clerk, a reclusive widow and a Zimbabwean refugee - get drawn into an unlikely relationship that will lead them on a journey of discovery, companionship, tragedy, and reconciliation. Set against a backdrop of the frailties and complications of human relationships, the violence and hardships of life in South Africa, and the dreams and desires for a better life, Benchmarks is a poetic celebration of the human spirit told by three performers in full character mask.

Death of a Colonialist, presented by the Market Theatre, deals with history, emigration, crime, national identity and family as it moves between a high school teacher’s bold perceptions of Xhosa history, the inter-personal relations within his family, and his wife’s quiet acceptance of her imminent death. The outcome is positive, amidst the personal tragedy. At a time when South Africans question matters related to history and what it means in terms of identity, Death of a Colonialist provides some illuminating perceptions.

Death of a Colonialist

Death of a Colonialist

Award winning director and producer Lara Bye is bringing Night, Mother to the Festival. This Pulitzer Prize-winning play by Marsha Norman deals with themes that resonate with universal relevance gives Sandra Prinsloo and Antoinette Louw the opportunity to showcase their talents in the broken and beautiful love story about a mother and daughter in crises.

The restaging of Anthony Akerman’s play Somewhere on the Border marks the 25th anniversary since it was first staged. After two decades of silence, the role of the military during those years has found its way back into public discourse. Many conscripts who went through those harrowing experiences as teenagers are looking back as adults and trying to make sense of it. It's clear that they feel the need to speak about what happened to them. Somewhere on the Border participates in that conversation. Set in South Africa, the play offers a catalyst to open a debate on the growing levels of militarisation internationally.

01 / on the score sheet for the main programme MUSIC line-up:

Standard Bank Young Artists Award winner for Music Ben Schoeman presents two piano recitals in which he features work celebrating the bicentenary of the birth of Hungarian composer Franz Liszt (1811) and the pianist and composer Australian Percy Grainger, who died fifty years ago.

Ben Schoeman

Ben Schoeman

The KwaZulu-Natal Philharmonic Orchestra will present two programmes. The Symphony Concert under the baton of Tibor Bogányi with soloist Jérôme Pernoo (piano) includes works by Offenbach and Brahms. Richard Cock will conduct the Gala Concert with soloists Ben Schoeman (piano) and Magdalene Minnaar (soprano). The programme comprises fascinating and charming works including Liszt’s Hungarian March, MacDowell’s To a Wild Rose, Grainger’s Country Garden and Ambroise Thomas’s Mad Scene from Hamlet to name but a few.

In two separate concerts The Goldberg Trio and Diamond Ensemble bring renditions of some of the most remarkable works in the chamber music oeuvre. Mozart’s Divertimento in E Flat, K. 563 performed by the Goldberg Trio – Zanta Hofmeyr (violin), Morkel Combrink (viola) and Wessel Beukes (cello). Samson Diamond winner of the 2010 Standard Bank Young Artist Award for Music has chosen two contrasting works, Franz Schubert’s deeply sublime String Quintet in C major, D. 956 and Tchaikovsky’s celebrated String Sextet in D minor “Souvenir de Florence” Op. 70 performed by the Diamond Quartet and two guest artists.

The Westhuizen Duo presents a programme, which includes the staple of the duo-piano repertoire: Rachmaninoff’s monumental Suite No. 2, Op. 17 for Two Pianos together with works by Schumann and Poulenc. They will also perform the world première of Jeanne Zaidel-Rudolph’s It Takes Two to Tango and the South African première of American Groove for Two Pianos, by Evan Mack (USA).

Inspired by text from the Book of Revelation Quartet to the End of Time (Quatuor pour la fin du temps) scored for clarinet, violin, cello and piano is a piece by French composer Olivier Messiaen. Written while a prisoner of war this major work of the twentieth century premièred in Germany in 1941 to an audience of fellow prisoners and prison guards. Performed by Samson Diamond (violin), Alan Thompson (clarinet), Anna Wilshire Jones (piano) and Wessel Beukes (cello).

Take one portion of Beethoven’s Kreutzer Sonata for piano and violin, sauté thoroughly and add four delicious tangos by Astor Piazzolla plus five well-known swing melodies and mix briskly until the consistency is almost that of jazz. Beethoven Tango is brought to you by Charl du Plessis (piano) and Zanta Hofmeyr (violin). This is music that you can taste!

Come and hear such favourites as Don’t cry for me Argentina (Evita), Memory (Cats), Music of the Night and All I ask of you (Phantom of the Opera), Love changes everything (Aspects of Love) and a host of other famous and popular songs in Lloyd Webber & Friends. Veramarie Meyer (mezzo soprano) and Nicholas Nicolaidis (tenor) are joined by members of the KwaZulu-Natal Philharmonic Orchestra with narration by Richard Cock, who conducts.

Auriol Hays Behind Closed Doors features her mature, classy, alternative pop songs fused with jazzy soul wedged between some darker powerful ballads will, at one moment, have you dancing, and in the next, holding your heart heavily in its musical hands. Songwriter / producer extraordinaire, André Scheepers leads the band on keyboards. The programme will feature hit songs Take it Slow and Turn Up the Volume both of which received massive commercial radio success.

Ever since its début the Luca Ciarla Quartet has been appreciated by audiences and critics for its highly original tunes and arrangements, in which contemporary jazz and ethnic music happily blend together, creating an irresistible Mediterranean jazz sound. Presented by Violipiano Arts supported by the Italian Institute of Culture the quartet is sure to wow Festival audiences.



Boo! was born in 1997 in the backstreets of Brixton, Johannesburg. Within seven years they acquired an enormous cult following worldwide brandishing their self-styled genre of “monkipunk”. After breaking up in 2004 Chris Chameleon surprised his punk pundits and cohorts by becoming one of the best-selling artists in Afrikaans music. In 2010 Boo! emerged again and soon won Suckfree Radio’s “Greatest unsigned Band in the World” competition with their remixed and re-mastered album “The Three of Us” which has already spawned two hit singles The Three of Us and To Do Today. 2011 is set be the “Year of the Boo!”

François Sarhan will present a programme of two works: the Lectures of Professor Glaçon performed in English with three French musicians from the collective vocal-instrumental ensemble crWth. Telegrams from the Nose created by François Sarhan and William Kentridge which he performs with four South African musicians including Jill Richards with videos by Catherine Meyburgh. These multimedia creations are brought to the Festival with the kind assistance of the French Institute of South Africa, the Embassy of France in South Africa and the Institut Français.

On the VISUAL ARTS front Young Artist Award winner Nandipha Mntambo will be presenting her exhibition Faena which is the most beautiful and skilful section of a bullfight. It refers to a dance with death, where the matador must prove his courage and artistry. In this work, Mntambo presents an extension of her interest in the sport of bullfighting. Using the media of painting, drawing, video and sculpture, she creates an experience/encounter that interrogates the viewer’s sense of sight, hearing, smell and touch.

The Johannesburg Art Gallery’s retrospective exhibition celebrates the life and work of Prof Alan Crump (1949-2009), entitled Alan Crump: A Fearless Visionary. This memorial exhibition celebrates the extraordinary depth and integrity of his artistic vision by bringing together for the first time a comprehensive retrospective of his work. From the austerity of early conceptual work, influenced but in no way constrained by the conceptualism he encountered as a Fulbright student in Los Angeles and New York City in the 1970s (where he worked as a studio assistant to Vito Acconci and Richard Serra); via the boldly monumental watercolours that engaged the landscape ravaged by mining and industry; to the profoundly subtle and elegiac abstract watercolours of his last solo exhibition in 2001, Crump’s work is a testimony to his unwavering vision and consummate skill as an artist.

An innovative group exhibition featuring 26 South Africans and four international artists, each involved in some aspect of comic art and sculpture will collaborate in the CO/MIX Pavilion 2011. Drawing inspiration from the Beautiful Losers DIY street art movement, CO/MIX conjoins expressionist comic art with political and underground cartooning and the contemporary visual subcultures of skate, surf, street, hip hop, Indie craft & graffiti, overlaying it all with a passionate concern for aesthetic integrity in the creation of unique art objects. The Co/Mix Pavilion is presented at the National Arts Festival by the Centre for Comic & Illustrative Book Arts at the University of Stellenbosch.

Presented by the Caversham Centre and featuring works from the major portfolios printed by the Caversham Press, including many produced for and shown at previous Festivals such as the ‘Decade of Young Artists. Ten Years of Standard Bank Young Artist Awards’ (1991) and the ground-breaking ‘Spirit of Our Stories’ (1994) which brought the narratives of black artists to prominence in South Africa’s year of dramatic political change. Featuring well-known artists such as William Kentridge, Magkabo Helen Sebidi and the late Robert Hodgins and Gabisile Nkosi, the exhibition presents a comprehensive history of personal visual concepts and observations mediated by experiencing life in pre- and post-apartheid South Africa. After two and a half decades, Caversham’s contribution to the story of South African printmaking reveals a complex dialogue of many voices and the evidence of many visions embedded in a rich diversity of imagery.

And walk in my shoes

And walk in my shoes

"...and walk in my shoes.", presented by Brodie Stevenson Gallery, is an experiential installation that blurs the distinction between the roles of viewer and performer by And walk in my shoes pic here Burundi-born artist Serge Nitegeka. As an installation, the sculpture is incomplete without viewer interaction and it gets completed by the viewer's experience.

For future generations is presented in association with the Albany History Museum and the International Library of African Music, and features instruments and artefacts from its vast collection. The exhibition is the outreach and education component of a two year cataloguing and digitizing project (2008-09) and it displays a selection of African musical instruments from the Hugh Tracey instrument collection and numerous features on Tracey’s field research, publications, films and audio recordings. Video stations offer footage of South African mine dancing, Chopi xylophone orchestras, Shona music and story-telling, and on ILAM’s history and current projects.

The streets of Grahamstown will again comer alive with spectacular PUBLIC ART performances and exhibitions in public spaces. Following the success of the 2010 Festival, this year’s Festival will once again open and close with Move Your Mind, a street parade featuring a spectacle of enthusiastic giant puppets, the Phezulu Stilt walkers, the drumbeats of the Sakhaluntu dancers and drummers and physically trained and acrobatic artists from the Oddbody Collective. Members of the public are invited to join in with enthusiasm and a keen sense of frivolity as the throng of giant puppets, stilt-walkers, street acrobats and youth theatre projects parade down the streets of Grahamstown.

Loosely adapted from the Antoine De Saint Exupéry’s The Little Prince, Tshini Kwedini! takes the audience on a journey of a local herds boy who, tired of living in his tiny village and wanting to make a difference in the world, sets out on an adventure to far-away places in search of his destiny. With song, dance, clowning, music, stilts, juggling, acrobatics, and other circus tricks, this family event has something in it for everyone. Tshini Kwedini! is a local development initiative of the National Arts Festival and OddBody Theatre.

Commissioned by the Johannesburg Arts Alive International Festival, the 7 x 14m Bottle Top Mosaic is a public artwork conceptualized by Hannelie Coetzee and Usha Seejarim of Such Initiative, made up of over 90 000 discarded plastic bottle tops. The work took 10 weeks to produce. At its peak there were 8 community centres, 140 children, 30 disabled adults, 31 crafters and the Such Initiative management team actively cleaning and weaving the bottle tops into a cohesive artwork.

01 / the eastern cape showcase:

The EASTERN CAPE SHOWCASE is a dynamic revitalisation of which positions the East Cape Department of Sports, Recreation, Arts & Culture not only as a major sponsor of the Festival but also as the most important play in the preservation and promotion of arts and culture in the province. The provincial showcase will feature theatre, indigenous music and dance, exhibitions, a youth film projects and performances by independent theatre companies who are contributed to growing an arts economy in the province.

Two Women, Two Worlds devised by UK actress Val McLane and Nomhle Nkonyeni, a veteran South African actress from the Eastern Cape, comparing and contrasting their lives in the two different countries on two different continents. Together they tell each other and the audience about their customs and their rituals from the choosing of a name to their chosen career paths. In the course of these stories they question each other and the audience; sometimes arguing over their lack of understanding of each other’s culture. They tell stories of determination and resourcefulness from their own family backgrounds, interspersed with songs and poems and dramatic episodes.

A Century of Fallen Eastern Cape Artists pays tribute to those who fearlessly used their creative skills in speaking out against the ills of oppression. Their heroic roles in resisting socio-political atrocities contributed to the downfall of the apartheid ideology. The exhibition further highlights the Department of Sport, Recreation, Arts and Culture’s commitment to social cohesion and nation building through the Visual Arts. Talented young artists express themselves highlighting the elusive economic freedom so desperately needed in a developing country.

In the Crafter’s Exhibition authentic craft art from a province unique in style, design and production techniques have been sourced from urban areas and the most rural villages in the province to create an all-inclusive array of diverse products. Visitors to the Craft Exhibition are guaranteed to have access to craft art that have already made their mark on the global market. Festival visitors will also have an opportunity to interact with crafters who will demonstrate their skills. They will highlight the production process from conceptualisation to design, production and finished product.

Rhythms of the Eastern Cape highlight the vibrancy of the sub-tribes of the Eastern Cape – amaBhaca, abaThembu, amaKhoisan, abeSuthu and amaMpondo. Drawn from the various districts of the province, the Eastern Cape Department of Sports, Recreation, Arts & Culture acts as a custodian of preserving and promoting indigenous knowledge systems and indigenous culture. Rhythms of the Eastern Cape, a fascinating display of the province’s rich music and dance heritage is a potpourri of traditional dance and music ranging from the vibrant foot-stomping of the amaBhaca dance to the delicately refined animal movement of the Khoisan. In an extravaganza of five lunchtime concerts, audiences will be introduced to the sub-tribes or clans who will mesmerise with their indigenous music and dance. Artists will also be drawn from the newly-formed Indigenous Music Orchestra and Eastern Cape Cultural Ensemble.

The Village Green Fair and Fiddler’s Green will offer Festival goers enough space to take a break away from the performances and exhibitions and to indulge in the extravaganzas of strolling through busy festival markets to purchase from the spoils of hundreds of craft- and food stalls.

In addition to the productions on the main programme, the National Arts Festival effectively runs seven festivals with the Festival. These include the Arena programme which this year will feature productions by some of the winners of last year’s Standard Bank Fringe Ovation Award, the esoteric and eccentric Fringe programme which often holds some unique theatrical gems and surprises, Think!Fest with its provocative and engaging conversations and debates, the Student Theatre programme showcasing work from the country’s leading university drama departments, the Standard Bank Jazz Festival, with Standard bank Young Artist Bokani Dyer. The Film festival will showcase, amongst others, films by Festival guest Richard Stanley. Spiritfest and Wordfest also run alongside the National Arts Festival programme.

The Festival will again run the Hands On! Masks Off! programme supported by Business and Arts South Africa, featuring a series of workshops and seminars on arts entrepreneurship.

The Remix Laboratory, supported by various Embassies, funds community-based artists to attend the Festival as a residency programme and allowing them to gain maximum benefit from presenting their own shows and by attending professional performances at the Festival. Participants are also provided with a series of creative skills capacity-building workshops with professionals.

The Festival’s Writer development laboratories allow emerging writers to be mentored by professional writers at the Festival, and to have at least one work each year culminate in a full staged reading during the Festival. The following writer development laboratories will be resident at the Festival this year: Novel Script Project (funded by the Royal Netherlands Embassy), Playwright Development Project (funded by the British Council) and the Theatre in Translation Project (funded by the Argentinean Foreign Office).

The ARTReach Project, Arts Encounter Project, Art Factory and the Phezulu Project continue to demonstrate the Festival’s commitment to providing access to the arts and artistic development to all communities in Grahamstown. The South African Post Office will be on board this year as a new sponsor local initiatives to promote indigenous music and which will coincide with the launch of a new South African postage stamp featuring African indigenous musical instruments.

Tickets are available through Computicket. Booking kits available from selected Standard Bank Branches, selected Exclusive Books and all Computickets. For more information on the programme, accommodation and travel options visit www.nationalartsfestival.co.za. Also join the National Arts Festival group on Facebook for all the latest competitions and news, or follow us on Twitter.

The National Arts Festival is sponsored by Standard Bank, The Eastern Cape Government, The National Arts Council, The National Lottery Distribution Trust Fund, The Sunday Independent and M Net.